A tailored Time Table & Woodstack Chairs designed by Tomek Archer of @archerobjects pictured here in Grey Street House by @localarchitecture_au. 💭
NOMI - Tailored by you, for you. Furniture that fits.
Photographed by @dionrobeson. 📷
Installation view of @i_amsin & my Lenticular pieces at @sothebys . Each piece is a 16x20" floating mounted 3D photograph. Since the 3D effect arises from the different angles of view between your two eyes, it unfortunately doesn't show up well on the phone.
Can’t hang a print to save your life? Join instructor @theandicrist this Sunday, May 27th and learn print handling, matting, framing, packing, and installing. Only a few spots left, sign up online! #hammertime
“Entalada” 2017, curadoria Sandro Resende. Na década de 1950, uma prática escultórica muito específica que caracterizava os chamados edifícios habitacionais tornou-se prática comum na cidade de Lisboa. As "entaladas", como o famoso arquiteto Keil do Amaral as chamava, eram esculturas ou entalhes colocados em espaços relativamente pequenos, geralmente superando a entrada principal dos edifícios.
In the 1950s, a very specific sculptural practice that characterized the so-called housing buildings became common practice in the city of Lisbon. The "entaladas", as famous architect Keil do Amaral called them, were sculptures or carvings placed in relatively small spaces, generally surmounting the main entrance of the buildings.
Nós somos um todo e agora chegou o momento de reunir todos os fragmentos do cleidoscópio em que a idéia do homem foi quebrada, reduzida a pedaços. —#lygiaclark “The Death of the Plane,”1960••• “We are a whole, and now the moment has come to reunite all the fragments of the kaleidoscope into which the idea of humanity was broken, was reduced to pieces.” Partial #sculpture#installation view: by Brazilian artist #arturlescher @galerianararoesler for #Frieze2018, translation from Portuguese by Dane Larsen